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I’d like to say they changed my life that night but they didn’t — not that night, anyway. However, there was something about the way their rail-thin singer (Jacob Bannon) threw himself without regard into his performance, and the audience, and glimpses of the more than then-typical Victory Records mosh in their music that spoke of things to come. If you told me that band (Converge, I would discover later while buying Deadguy merch) would become one of the most important to not only myself but to aggressive music and its various scenes and factions, I would have cracked a smile, at the very least. Funny, how things turn out.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFormed in the winter of 1990 in Boston, MA, during the rise and subsequent fall of the legendary Boston hardcore scene, Converge are unarguably one of the most important bands in the history of aggressive music. Through numerous line-up changes (the band are currently comprised of vocalist\/visual design terrorist Jacob Bannon, drummer Ben Koller, guitarist\/back-up vocalist Kurt Ballou and bassist\/back-up vocalist Nate Newton), musical trends (mosh, tech, guys crying and wearing make-up, ’80s thrash revival) and the coming and going of more “the next great thing” than I care to recall, Converge have established themselves as leaders in the aggressive music underground.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIt seems redundant to use the word “landmark” when discussing their musical canon, as almost every album is genre-defining, but Converge’s run is unparalleled. Releases such as Petitioning the Empty Sky (1997), When Forever Comes Crashing (1998), Jane Doe (2001), You Fail Me (2004) and No Heroes (2006) have established Converge as trendsetters and innovators, setting new standards in hardcore and metal with each release. These records have evolved the band (from their thrash-inspired, hardcore-drenched beginnings to slower, more ominous and atmospheric work to all-out Tsunami-of-hostility hell-bent on levelling creation) and produced new waves of followers and emulators with each successive work. Honestly, has there been a band more influential on past and present “successful” metal\/hardcore acts as unaccredited? It’s true: integrity has its price.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAfter nearly 20 years, such a glorious run of releases and a live show that’s gone from flailing kids flailing against kids to legendary exorcism for both band and audience — watch the pit during “The Saddest Day” and tell me it’s not the closest thing to a near-religious experience atheists will ever have — Converge could be forgiven for releasing an endeavour that was simply good, okay, just maintaining their status quo. After all, it’s much easier to win the title than retain it, and even the greats slip from time to time. Axe To Fall (Converge’s third release for indie institution Epitaph Records), however, is no such relapse.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTrue to themselves and their art, as always, no matter the cost, Axe To Fall continues to push relentlessly forward, much like a shark that needs to always keep swimming to survive. Where No Heroes was a refinement and broadening of hostilities declared on previous assaults such as Jane Doe, Axe To Fall returns to the more AmRep-inspired noisecore abrasions of You Fail Me while also updating and making vital the thrash influences that defined earlier Converge efforts (Caring and Killing, Petitioning the Empty Sky) and retaining the hardcore hostilities and frantic pace so vital to their foundation. Of course, the experimental anguish and pleading for salvation are no mere sharpening of past knives but yet another leap forward in an existence full of them.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFrom frenetic, frantic opening track “Dark Horse,” which is a downhill avalanche of ferocity culminating in one of the heaviest riffs Converge have ever laid listeners to waste with, to “Worms Will Feed,” an ominous exploration that ebbs and flows, building upon crashing then retreating waves of music and lyrical condemnations (“the worms will find a way, the rats will find a way”), to the barely restrained chaos of “Losing Battle” and Axe To Fall’s sanguine, beautiful, climatic seven-minute-plus dénouement, “Wretched Word,” Axe To Fall isn’t just another mere “release” or record from spoiled kids discovering metal and crying about how difficult life is in the suburbs. Axe To Fall is a nearly two-decade culmination of hard roads travelled and unwanted, but necessary, lessons learned, of prayers for salvation lost to the wind and too-fleeting nights where everything was still, if only for a moment, consumed by morning’s inevitable advance, of crushing defeats and the realization that the war only ends when we do, and it’s not one we can win, merely endure.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOnce again recorded by Converge’s resident engineering genius Kurt Ballou, whose God City Recording Studios has become the Mecca for aggressive music’s elite to congregate at for assistance realizing their sonic sermons (from Trap Them and Genghis Tron to Torche and Buried Inside), Axe To Fall is as sonically dense a tapestry and punishing a release as Converge have ever conceived, once again perfectly echoing musically Bannon’s heart-ripped-out-of-chest-but-still-beating lyrics. 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Pulling from forbearers of music that was integral to the underground like Madball, Onyx, Agnostic Front, Suicidal Tendencies, Slayer, and Cold As Life, the quintet doesn’t always sound like those acts but are instead influenced by the enduring energy of that music. Alongside their two EP’s, Phase 1 and Winter Games, Section H8 built their name through their explosive live shows, sharing the stage with an eclectic list of notables such as Madball, Ghostmane, Show Me The Body, Lil Ugly Mane, Gulch, Gatecreeper, Jesus Piece and many more.\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003cbr class=\"\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003eIn the summer of 2021, Section H8 comes with their most definitive statement yet in the form of their debut full-length Welcome To The Nightmare, due out through the dependable Flatspot Records. 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Their unique mix of melodic and emotional punk rock helped them develop a big fan base and quickly caught the attention of Kung Fu records, who signed them in 2001 alongside bands like Blink-182 and Tsunami Bomb. Audio Karate were far from being just another “punk” band, and their blend of melodies and hooks set them apart, making it difficult to place them in any one genre. The band has mastered the art of writing infectiously catchy songs with deeply personal lyrics, while still remaining upbeat and fun.\u003c\/p\u003e\n\u003cp\u003eAudio Karate spent the early 2000s touring heavily and shared stages with bands like Blink-182, NOFX, The Ataris, Face to Face, and had many Van’s Warped Tour appearances. Their first studio album “Space Camp” was met with much acclaim from critics and fans, and the band was often featured on MTV and Fuse TV. Their follow up album “Lady Melody” was produced by Bill Stevenson of the Descendents. The record straddled pop-punk convention and technical oddity, with unique key changes and riffs that seemed to sound “wrong” while sounding gloriously right. Even Stevenson wondered how they did it, marveling at times during their recording sessions: “Technically, this shouldn’t work.”\u003c\/p\u003e\n\u003cp\u003eAudio Karate went on a long Hiatus in 2006 and returned in 2018 to record their third album “Malo” for Wiretap Records and support their idols, Descendents, on a U.S. tour. Shortly after their return, the band began working with Iodine Recordings for anther release. “¡OTRA!” is a collection of their rare and unreleased material that spans the history of the band and feature works produced by Bill Stevenson (Descendents\/ALL) and Trever Keith (Face to Face). Featuring guest vocals by Agent M \/ Emily Whitehurst of Tsunami Bomb and new original artwork by Chris Shary (Descendents\/Teenage Bottlerocket). “¡OTRA!” contains some of Audio Karate’s best songs that have never been released on vinyl. A soon to be essential volume for pop-punk and emo fans’ collections.\u003c\/p\u003e\n\u003cp\u003e“Well crafted melodic-punk and the passion in the vocals is undeniably infectious. Bill Stevenson once again has produced a gem of a record!” - Punk News\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e01. Lovely Residence\u003cbr\u003e02. Segway\u003cbr\u003e03. Care Carelessly\u003cbr\u003e04. Black Covering\u003cbr\u003e05. End Won’t Justify the Means\u003cbr\u003e06. She Looks Good\u003cbr\u003e07. Do You Miss Meaning Everything to Me\u003cbr\u003e08. Betrayed\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e","brand":"IODINE RECORDS","offers":[{"title":"BABY BLUE","offer_id":39752476622908,"sku":"MUS-39058-01-BB","price":11.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2244\/7843\/products\/AUDIOKARATE-Otra.jpg?v=1766066410"},{"product_id":"this-is-oblivion-this-is-oblivion-lp","title":"THIS IS OBLIVION \"This Is Oblivion\" LP","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eConsisting of vocalist\/violinist Lulu Black and drummer Michael Kadnar, This Is Oblivion summons a dark, evocative sound, in league with the most dramatic dirges of Chelsea Wolfe or Swans. The pair will release the new album via Kadnar's label, Silent Pendulum Records.\u003cb data-mce-fragment=\"1\"\u003e \u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e \u003cbr\u003e01. Invocation \u003cbr\u003e02. The Truth \u003cbr\u003e03. Elegy \u003cbr\u003e04. Undeserving \u003cbr\u003e05. Offering \u003cbr\u003e06. A Reckoning \u003cbr\u003e07. Unto You \u003cbr\u003e08. Litany\u003c\/p\u003e","brand":"SILENT PENDULUM RECORDS","offers":[{"title":"TORCH \u0026 SMOKE","offer_id":39850039181372,"sku":"MUS-39152-01-TS","price":14.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2244\/7843\/products\/THISISOBLIVION-ThisIsOblivion.jpg?v=1766066410"},{"product_id":"smoke-or-fire-beauty-fades-lp","title":"SMOKE OR FIRE \"Beauty Fades\" LP","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003c\/span\u003eSmoke Or Fire were formed in Boston, MA during the late 90s alongside countless bands in the Boston underground scene. Smoke Or Fire delivered their unique brand of heartfelt emotional punk that included complex layered guitars, dirty vocals, and lyrics that ranged from deeply personal topics to social criticisms of war and politics. The songs often drew comparisons to bands like Avail, Hot Water Music, and Against Me! Although, Smoke Or Fire brought their own unique take on the genre with catchy melodies, and sing along choruses. \u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eThe band was originally called Jericho and released their debut EP “Worker’s Union” on Iodine Recordings in 2002. After a drawn-out lawsuit from a Christian Rock band bearing the same name, the band was forced to change their name to Smoke Or Fire. After several US tours with bands like Against Me! and Avail, Smoke Or Fire relocated to Richmond, VA where they caught the attention of the iconic NOFX record label Fat Wreck Chords. They signed to Fat and remained through their career, releasing three full lengths: Above the City (produced by Fat Mike\/NOFX), This Sinking Ship, and The Speakeasy. Smoke Or Fire was praised by music critics, and revered by fans for capturing a raw energy and a genuine approach to punk music. \u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eSmoke Or Fire toured relentlessly over their twenty-plus year history, with numerous US and European tours, sharing the stage regularly with bands such as: Against Me!, Dillinger Four, Hot Water Music, Descendents, Anti-Flag, NOFX, Silverstein, Rise Against, Bad Religion, and The Ataris (just to name a few…). \u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e“Beauty Fades” is a collection of out of print and unreleased tracks from Smoke Or Fire. Side A includes their debut Iodine EP “Worker’s Union” which was completely remixed and remastered at New Alliance Studios in Boston, MA. Side B includes seven rare or unreleased tracks that span the history of the band, including the EP “Rises in the East” which was never released, but included a number of songs that were in the band’s live set throughout their tenure. The entire collection is being pressed on vinyl for the first time ever. Complete with all new artwork and packaging. \u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e“Beauty Fades” documents some of the best moments of the band’s legacy with fist-pumping anthems and emotional interludes. Singer Joe McMahon remains adamant that these are the best songs he ever wrote, which capture a youthful energy and idealism that is fleeting for us all. \u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\"Distinctive hooks, infectious melodies and fist-pumping choruses: It’s all here, and it sounds damn near perfect.\" – ALTERNATIVE PRESS\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eTracklist:\u003cbr\u003e\u003c\/b\u003e01. Sunday Pints\u003cbr\u003e02. Beauty Fades\u003cbr\u003e03. 50 Cent Hearts\u003cbr\u003e04. Second Wind\u003cbr\u003e05. Running in Circles\u003cbr\u003e06. They All Go to California\u003cbr\u003e07. Modesty\u003cbr\u003e08. Nowhere to Go But Up\u003cbr\u003e09. Hand Me Downs\u003cbr\u003e10. Written to be Read\u003cbr\u003e11. Live On\u003cbr\u003e12. Someone Said We Flew\u003cbr\u003e13. Oxygen\u003c\/p\u003e","brand":"IODINE RECORDS","offers":[{"title":"BLUE \/ CLEAR GOLD W\/ BLUE SPLATTER","offer_id":39873521680444,"sku":"MUS-39166-01-B\/C","price":11.49,"currency_code":"EUR","in_stock":true},{"title":"SEA BLUE","offer_id":39873521713212,"sku":"MUS-39166-02-SB","price":11.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2244\/7843\/products\/SMOKEORFIRE-BeautyFades.jpg?v=1766066411"}],"url":"https:\/\/evilgreed.com\/collections\/sale\/t-shirts.oembed?page=6","provider":"Evil Greed","version":"1.0","type":"link"}