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I’d like to say they changed my life that night but they didn’t — not that night, anyway. However, there was something about the way their rail-thin singer (Jacob Bannon) threw himself without regard into his performance, and the audience, and glimpses of the more than then-typical Victory Records mosh in their music that spoke of things to come. If you told me that band (Converge, I would discover later while buying Deadguy merch) would become one of the most important to not only myself but to aggressive music and its various scenes and factions, I would have cracked a smile, at the very least. Funny, how things turn out.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFormed in the winter of 1990 in Boston, MA, during the rise and subsequent fall of the legendary Boston hardcore scene, Converge are unarguably one of the most important bands in the history of aggressive music. Through numerous line-up changes (the band are currently comprised of vocalist\/visual design terrorist Jacob Bannon, drummer Ben Koller, guitarist\/back-up vocalist Kurt Ballou and bassist\/back-up vocalist Nate Newton), musical trends (mosh, tech, guys crying and wearing make-up, ’80s thrash revival) and the coming and going of more “the next great thing” than I care to recall, Converge have established themselves as leaders in the aggressive music underground.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIt seems redundant to use the word “landmark” when discussing their musical canon, as almost every album is genre-defining, but Converge’s run is unparalleled. Releases such as Petitioning the Empty Sky (1997), When Forever Comes Crashing (1998), Jane Doe (2001), You Fail Me (2004) and No Heroes (2006) have established Converge as trendsetters and innovators, setting new standards in hardcore and metal with each release. These records have evolved the band (from their thrash-inspired, hardcore-drenched beginnings to slower, more ominous and atmospheric work to all-out Tsunami-of-hostility hell-bent on levelling creation) and produced new waves of followers and emulators with each successive work. Honestly, has there been a band more influential on past and present “successful” metal\/hardcore acts as unaccredited? It’s true: integrity has its price.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAfter nearly 20 years, such a glorious run of releases and a live show that’s gone from flailing kids flailing against kids to legendary exorcism for both band and audience — watch the pit during “The Saddest Day” and tell me it’s not the closest thing to a near-religious experience atheists will ever have — Converge could be forgiven for releasing an endeavour that was simply good, okay, just maintaining their status quo. After all, it’s much easier to win the title than retain it, and even the greats slip from time to time. Axe To Fall (Converge’s third release for indie institution Epitaph Records), however, is no such relapse.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTrue to themselves and their art, as always, no matter the cost, Axe To Fall continues to push relentlessly forward, much like a shark that needs to always keep swimming to survive. Where No Heroes was a refinement and broadening of hostilities declared on previous assaults such as Jane Doe, Axe To Fall returns to the more AmRep-inspired noisecore abrasions of You Fail Me while also updating and making vital the thrash influences that defined earlier Converge efforts (Caring and Killing, Petitioning the Empty Sky) and retaining the hardcore hostilities and frantic pace so vital to their foundation. 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Axe To Fall is a nearly two-decade culmination of hard roads travelled and unwanted, but necessary, lessons learned, of prayers for salvation lost to the wind and too-fleeting nights where everything was still, if only for a moment, consumed by morning’s inevitable advance, of crushing defeats and the realization that the war only ends when we do, and it’s not one we can win, merely endure.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOnce again recorded by Converge’s resident engineering genius Kurt Ballou, whose God City Recording Studios has become the Mecca for aggressive music’s elite to congregate at for assistance realizing their sonic sermons (from Trap Them and Genghis Tron to Torche and Buried Inside), Axe To Fall is as sonically dense a tapestry and punishing a release as Converge have ever conceived, once again perfectly echoing musically Bannon’s heart-ripped-out-of-chest-but-still-beating lyrics. 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Pulling from forbearers of music that was integral to the underground like Madball, Onyx, Agnostic Front, Suicidal Tendencies, Slayer, and Cold As Life, the quintet doesn’t always sound like those acts but are instead influenced by the enduring energy of that music. Alongside their two EP’s, Phase 1 and Winter Games, Section H8 built their name through their explosive live shows, sharing the stage with an eclectic list of notables such as Madball, Ghostmane, Show Me The Body, Lil Ugly Mane, Gulch, Gatecreeper, Jesus Piece and many more.\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003cbr class=\"\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003eIn the summer of 2021, Section H8 comes with their most definitive statement yet in the form of their debut full-length Welcome To The Nightmare, due out through the dependable Flatspot Records. 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